Film

The hype for “In the Heights” has brought great expectations for Latinos in the United States, a group that’s been historically underrepresented and widely typecast in films.

Women are whole people after all, even if we’re not normally portrayed that way.

Through stunning visuals and a score created by the founders of the genre, the film shows the technology, culture and landscape that shape this African-Caribbean fusion.

I’m not willing to say it was a bad night for the Latinx community.

Unforgivable tells the story of Geovany, a former hitman for the 18th Street gang who left the gang and converted to Christianity in prison, only to ask to be transferred to the isolation cell to live openly as a gay man.

Hopefully, Hollywood is finally catching up.

Documentary filmmaker Cristina Costantini is on a mission.

I, for one, am glad We Can Be Heroes is having a moment. Like the most famous Latinx superhero film before it, Spider-Man: Into the Spider-Verse, We Can Be Heroes celebrates our culture, values, and aesthetic while offering hope that these tools can help build a better future.

“This film is an opportunity for young people to have a window into that history and understanding the level of complexity of America and the two-faced ideas that Americans have,” the filmmaker told Intelatin.

The latest episode of Latino Rebels Radio

This episode explores the impact of the U.S.-imposed oil blockade on Cuba and the ways in which Cubans are finding alternatives to scarcities caused by U.S. sanctions.

An up-close look at how US policies – and elections – impact the Cuban people

“My characters will humanize my Trans brothers and sisters and normalize our existence,” filmmaker Kase Peña said.

Like all stories, the narrative of losing children depends greatly on who’s telling it.

The actress stars in “The Garden Left Behind” which tells the poignant story of Tina, a young Mexican trans woman who lives with her grandmother Eliana in Queens, New York.

To benefit the San Antonio Food Bank, Patricia Vonne interviews Danny Trejo on the 10th anniversary of the film “Machete,” written and directed by Robert Rodriguez.

Directed by Jesse Moss and Amanda McBaine, the film is an electrifying snapshot of the American political system, in all it’s glory, in all it’s shame. 

Jonás Trueba accomplishes the herculean task of carving just the right amount of introspection, melancholia, and serendipity to render the story of a woman getting in touch with her body and soul, to reconstruct the meaning of her being.

With poignant performances, luscious cinematography, and a vibrant and dreamy soundtrack, YUNIOR is a reflection of the queer sensibility at its best. 

Directors Cristina Costantini and Kareem Tabsch shed light on the human behind the extravagance, the soul behind the screen.

The documentary offers real hope about a future generation of fierce Brown and Black girls ready to put in the work to make social justice more than just a dream.